In his discussion of Donald Judd's materially sublime and perfectly constructed works, Fuchs writes "...one senses that the materiality of the piece has imperceptibly vanished. What lingers on is almost a motionless apparition - of surface and color only, and reflected light, glow, shadows." Fuchs underlines the importance of viewing Judd as he wanted to be seen, "not as a minimal formalist, but as a master of color."