A major photographic project examines the disappearing face of twentieth-century urban life and the increasing obsolescence of non-digital photography.
This dynamic introduction to the world's greatest photographers from the inception of photography to today bears proof of the magic of the camera. From Félix Nadar to Nan Goldin, each of the photographers featured here represents an important aspect of photography's evolution. The artists are presented in double-page spreads that include reproductions of their most important works, concise biographies, informative sidebars, and a timeline that extends throughout the volume. The result is a fascinating overview of the way photographers continue to push the limits of their genre, offering their audiences new ways of seeing and understanding our world.
A Maysles Scrapbook: Photographs/Cinemagraphs/Documents is the first comprehensive monograph on the pioneer filmmaking team that set the standards of contemporary documentary filmmaking: their Grey Gardens (1976) has spawned several fashion collections, an award-winning Broadway musical and a soon-to-be-released feature film starring Drew Barrymore and Jessica Lange; Gimme Shelter (1970), which captured the infamous and fatal Rolling Stones concert at Altamont, is often called the greatest documentary ever made on the American 1960s; and Salesman (1968) is widely credited as the first feature-length documentary to eliminate voice-over narration and the first to achieve wide theatrical distribution. With David on sound and Albert behind the camera, the Maysles were absolutely pivotal in creating the Cinema Verite, or Direct Cinema, movement of the 1950s and 60s, and, along with Frederick Wiseman, Richard Leacock, D.A. Pennebaker and Robert Drew, are among the progenitors of modern documentary cinema.
A fascinating book for followers of both architecture and photography: the first publication of a project that involved two giants of American arts, photographer Aaron Siskind and architect Louis Sullivan, called the father of modernism, and the creator of the skyscraper. In 1952, while Siskind was teaching at Chicago's Institute of Design, he and his advanced photography students undertook a comprehensive photographic survey of Sullivan's architecture, eventually shooting over 60 buildings. From hundreds of photographs, Siskind composed an exhibit of 126 photographs of 35 buildings by Sullivan, who died in 1924. Siskind's exhibit was a documentation of Sullivan's architecture unlike any other - and one that could never be repeated, because so many of Sullivan's buildings were demolished shortly thereafter. More than 50 years later, the photographs are still fresh: Sullivan's buildings are arrested in their decline, their darkened ornament luminous in Siskind's incomparable compositions. In fine accompanying texts, this book also tells the story of the exhibit, relating the Sullivan project to Siskind's documentary and abstract work and to earlier Sullivan building photographs. The use of architectural photographs was an essential part of early modern architectural exhibits and histories that sought to codify the International Style. Siskind's innovative photographs and equally innovative exhibit installation challenged the opinions of Sullivan and modern architecture by architectural historians at the time. Includes 166 black and white reproductions.
Abelardo Morell Richard B. Woodward Phaidon Press, Inc. $49.95
Cuban-born Abelardo Morell (b.1948) began photographing his domestic environment after the birth of his son in 1986. Considering the world from a child's point of view, he photographed household objects from surprising perspectives to produce unfamiliar and disconcerting results that challenge the viewer?s perception of reality. Morell continues to take photographs that explore reality and illusion and has created images with books, money, maps and paintings as their subject, alongside his best known series of camera obscura photographs.
German photographer Achim Lippoth makes pictures of children that are as charming as they are creepy. His sceneries seem filled with perfectly composed calm, but at the same time with an explosive power that must detonate in the next second. Lippoth has received numerous awards, most recently Professional Photographer of the Year 2005 with Loretta Lux.
Chicago is a fake Arab town built by the Israeli Defense Force for urban combat training. It is a place that is familiar to Israeli and American soldiers, but until now largely unknown outside Israel. Chicago stands in the middle of the Negev desert, a ghost town whose history directly mirrors the story of the conflict with Palestine. During the first Gulf War, American Special Forces had their first taste of the Middle East here. "Rehearsals" included a failed attempt to assassinate Saddam Hussein, the Battle of Fallujah and, most recently, the evacuation of the Gaza settlements.
Wallacavage cut his teeth in photography shooting photos for Thrasher, Skateboard Magazine and later Transworld, Strength and Slap. Ranging from the sublime to the surreal to the silly, his colorful photos quickly began to draw attention outside of the world of skaters.
How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this provocative rephotography project, bringing past and present into dynamic juxtaposition, renowned photographer Mark Klett has gone to the same locations pictured in forty-five compelling historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point.
Explores the human costs and consequences of war in Bosnia, with photographs that illuminate the promises and contradictions of this post-war society. Marked by ethnic cleansing and the worst genocide since World War II, Bosnia has been quiet since the tanks rolled out and the journalists went home.
Afterwar: Veterans from a World in Conflict is a culmination of 15 years spent photographing and interviewing men, women and children who have been on the frontlines of every major conflict of the past century. It is a portrait documenting the deep physical and psychological effects on the veterans whose bodies and minds are changed forever.