For an exhibit at the Magasin 3 Stockholm Kontshall, several transportation and movement related works by Chris Burden were exhibited, including: B-Car, one of the artist's alternative transportation projects from the 1970s; and erector set scale constructions of New York City's Hell Gate bridge and the Mexican Bridge (an unrealized late 19th century railway bridge designed to span a 1000 foot wide gorge).
An insightful discussion of over ninety works about Circus, including paintings, photographs, installations, watercolors, video, sculptures, and prints.
Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dalí and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo.
Edited by Lynne Cooke and Karen Kelly. Comprised of one hundred panels, two stacks of fat and metal plates, and an oil can, Arena-where would I have got if I had been intelligent! (1970/72), a major autobiographical work by Joseph Beuys, is documented here in this comprehensive, scholarly book for the first time in detail.
This book records Marina Abramovic's return to Rome after an absence of twenty years. Included in this survey are several of her installations created after her return to solo work in the late 1980s.
