As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art, and nascent ideas of conceptual art.

Nauman presents seven large-scale projections of his New Mexico studio interior. Forty-two hours of tape were shot over 42 nights using infra-red lenses, and reveal the basic preconditions for his artistic production: his empty studio. Essay by Christine Litz.~Foreword by Kasper König.

In one of An-My Lan-My Lê's photographs of American Marines training for Iraq in the Mojave desert, a group of barrels is marked with the phrase "Do Not Shoot." Obviously, the photographer didn't heed this warning, and the result is the most recent, timely series in of images in this compelling first monograph. Earlier photographs document a group of Vietnam War re-enactors in South Carolina who, like their better-known Civil War counterparts, restage battles, training, and the daily life of soldiers. An-My Lê is part of a new crop of artists who merge documentary and landscape photography to explore history and current events with an emotional subtext and from a very personal point of view.

Tracing Warhol's origins as the sickly child of Ruthenian immigrants in working-class Pittsburgh to his transformation into New York's dark prince of Pop and finally into the world's most successful 'business artist', "Andy Warhol "Giant" Size" provides an appropriately larger-than-life look at the celebrated artist's career.

Marks the 80th anniversary of Warhol's birth and the 20th anniversary of his death.